‘The Best of Enemies’
NEW YORK (CNS) — “The Best of Enemies” (STX) is an appealing fact-based drama that promotes humane values and Gospel-guided behavior. On that basis, many parents may consider it a rewarding film for older teens, the inclusion of some mature material notwithstanding.
Set in 1971 Durham, North Carolina, writer-director Robin Bissell’s adaptation of Osha Gray Davidson’s 1996 book — subtitled “Race and Redemption in the New South” — traces the evolving relationship between no-nonsense civil rights activist Ann Atwater (Taraji P. Henson) and C.P. Ellis (Sam Rockwell), the head of the local Ku Klux Klan.
The two, who initially want nothing to do with each other, are forced to spend time together as leading participants in an arbitration process deciding the future of the city’s still-segregated educational system. A damaging fire at a black school has brought the issue to a head and Bill Riddick (Babou Ceesay), an expert in mediation, has been brought in to try to achieve consensus.
He sets up a series of meetings collectively called a charette, at the end of which a panel made up of an equal number of blacks and whites will vote on whether to maintain the status quo. As the process unfolds, Ann and C.P. gain insights into each other’s lives and characters.
C.P. begins to question his racist views — which are based, in part at least, on the fact that he has always avoided having any dealings with African Americans. The gas station he owns, for example, will not serve black customers.
For her part, fiery Ann comes to see that C.P. is not entirely evil. In fact, in some respects, he’s quite vulnerable.
This is particularly true with regard to one of his three sons, a developmentally disabled lad confined to a home for whom C.P. cannot afford the kind of care he would like. Ann, who carries a Bible with her and says grace before each meal, intervenes with a friend on the staff of the facility where the boy lives to bring about an improvement in his situation.
Though C.P. at first reacts to this thoughtful gesture with disdain, not wanting to be indebted to Ann in any way, in the long term it becomes an important turning point in the evolution of his outlook. His gradual change of heart, which will ultimately have very positive consequences, also is encouraged by his sensible wife, Mary (Anne Heche).
Bissell evokes strong performances from his fine cast and his picture’s themes of reconciliation and equal dignity for all will be on target for believing moviegoers. The story he tells might seem pat if it were not derived from real events. As it is, viewers can come away from “The Best of Enemies” hopeful, despite the many fraught and contentious circumstances of our own era.
The film contains some nongraphic violence, including gunplay and the threat of rape, an act of sexual aggression, a few uses of profanity and of crude and crass language and racial slurs. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
John Mulderig is on the staff of Catholic News Service.
Lush but insubstantial live-action reimagining of the 1941 animated classic, set in 1919, in which the young elephant of the title becomes a pawn in a struggle to profit from the fact that his outsized ears enable him to fly. Out to protect him are a wounded and recently widowed World War I veteran (Colin Farrell), his two children (Nico Parker and Finley Hobbins) and the manager (Danny DeVito) of the circus for which he works. The owner (Michael Keaton) of a lavish amusement park has more devious ideas which are not necessarily shared by his amiable girlfriend (Eva Green). Director Tim Burton brings visual flair to screenwriter Ehren Kruger’s story but the impression it leaves is less than lasting while constant peril, the mistreatment of animals and several sad plot developments make this too challenging for little kids. Characters in danger, cruelty to animals. The Catholic News Service classification is A-II — adults and adolescents. The Motion Picture Association of America rating is PG — parental guidance suggested. Some material may not be suitable for children.
“Shazam!” (Warner Bros.)
Endowed by a wizard (Djimon Hounsou) with the ability to transform himself, by dint of the titular exclamation, into a superhero with the body of an adult (Zachary Levi), a 14-year-old foster child (Asher Angel) does battle with a formidable villain (Mark Strong) who wants the lad to surrender his newfound powers to him. Though it eventually becomes almost exclusively an action picture, director David F. Sandberg’s DC Comics-based origin story begins with an enjoyable overlay of comedy as the protagonist and his physically challenged best friend (Jack Dylan Grazer) marvel at his ability to shoot electricity from his hands and perform similar nifty stunts. Family life is exalted over egotistical self-reliance as Angel’s character learns to use his gifts responsibly, and viewers of faith will appreciate brief scenes of prayer and an implicitly pro-life message about the dignity of the disabled. Some mischief enabled by the main character’s grown-up guise, however, makes this questionable fare even for older teens. Much stylized violence with a few gruesome sights, underage drinking, brief sexual humor, some of it involving a strip club, at least one use of profanity and a milder oath, about a dozen crude and crass terms. The Catholic News Service classification is A-III — adults. The Motion Picture Association of America rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
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